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If you are afraid your toddler could one day destraoy your SD card well get these TOUGH cards today: Sony 128GB TOUGH SD card at BHphoto, Adorama, FocusCamera. In EU at Amazon DE, Amazon UK, Amazon FR, Amazon IT, Amazon
The post These nearly indestructible Sony Tough SD cards are now on preorder appeared first on mirrorlessrumors.
The endless and justified complains against the weak Sony APS-C E-mount support finally had some effect. Mr. Tanaka from Sony confirmed in an interview at Pronews.jp that they will now focus on APS-C again. In his words Sony had to
The post Sony says ok your are rightwe now will focus on APS-C again :) appeared first on mirrorlessrumors.
A bride who lost her fianc to a tragic accident went ahead with celebrating her wedding day. The wedding photos that resulted are a powerful testament and tribute to the bond she shared with the love of her life that she lost.
25-year-old Jessica Padgett was set to marry her fianc Kendall Murphy on September 29th, 2018. But while responding to the scene of an accident as a firefighter back in November 2017, Murphy was struck and killed by a drunk driver.
Instead of canceling her wedding day, Padgett decided to gather her family and friends at the grave in Indiana, put on her white wedding dress, and celebrate the day while creating special memories.
The wedding photographer they had booked, Mandi Knepp of Loving Life Photography, showed up at the request of Padgetts mother-in-law and shot the wedding album.
I wanted to still celebrate our wedding day, even though he wasnt physically there with me, Padgett tells BBC News. I wanted memories of the day that we were supposed to have in my dress, she explains.
Scoring a national magazine cover shoot to prove the greatness of a phones camera has become part of the standard PR playbook for manufacturers. TIME featured photos taken by Luisa Drr using an iPhone for a September 2017 cover story entitled Firsts about women changing the world.One of seventeen TIME covers photographed on iPhone by Luisa Drr.
On the one hand, the quality of smartphone images is a technological marvel of hardware and software that merits mention. While phones and their operating systems have entered a slow-and-steady maturation phase largely devoid of wow factors, the cameras have gotten frighteningly good year after year. In the past 18 months, phones from a variety of manufacturers have showcased...
Heres a 1.5-minute video published by NATO about the role of US Army combat cameramen who document soldiers in peace and war, at rest and in combat.
Unique among soldiers, combat cameramen (COMCAM) run into battle with a camera in their hands, and their mission is to capture what happens for the record, NATO writes.
The video was produced by Intrepid TV, which interviewed US Army combat cameraman Austin Boucher about his job in war zones, disaster relief areas, and wherever else he gets sent.
Boucher uses a Canon 5D Mark III, producer Rob Kunzig of Intrepid TV tells PetaPixel, saying its a camera favored by a lot of COMCAM types because of the beating it can take.
In the video, Boucher talks about the skills photographers need in order to stay focused on documenting what they see while under duress, and why the COMCAM role is important for the US Army and NATO.
Earlier this year, the US Navy decided to eliminate both of its two COMCAM units to save money and resources.
Image credits: Video and still frame by NATO/Intrepid TV
Zeiss is gearing up to add a fourth lens to its highly-acclaimed Otus lineup. New leaked photos are giving us a sneak peek at the upcoming Zeiss Otus 100mm f/1.4 lens.
The photos were first published by the Japanese camera rumor site Nokishita, which is hearing that the lens will be released in 2019.
Heres the lens with its hood attached:
From the photos, we see that the lens will have an APO-Sonnar lens design and an 86mm filter diameter.
Heres a 5-minute video showing a portrait lens shootout I recently did at 85mm f/1.4, 105mm f/1.4, 135mm f/1.8, and 200mm f/2.8. If you are looking for a portrait lens, you cant go wrong with any of these focal lengths. Each focal length serves a specific purpose and will give you a slightly different look/perspective.
Without getting too technical, I found that there really isnt much difference between all four lenses optically the differences are more apparent in the working distance and perspective that they each have to offer.
I enjoy 85mm f/1.4 because of the working distance in relation to the model along with the wide aperture for creamy backgrounds and its physically smaller size. 105mm f/1.4 really surprised me and I felt it gave me the best of both worlds when it comes to 85mm and 135mm in terms of working distance, perspective (compression) and background blur.
Here are the portraits from the shootout:
Nokishita leaked the first images of the soon to be announced new Zeiss Otus 100mm f/1.4 lens. There is yet no info about pricing and official release date. As usual expect this lens to be available in native Canon EF
Skylum pre-announced the new Sky Enhancer feature (full announcement blog post here). Its going to be released as a free Luminar update on November 1. If you plan to buy Luminar use our code MIRROR to get a $10 discount.
The post Skylum showcases their new Sky Enhancer tool for Luminar appeared first on mirrorlessrumors.
NASAs Apollo Program was an audacious mission to send astronauts to the moon a national goal set by President John F. Kennedys in a bold speech in 1961 that was an ongoing part of the Cold War.
NASAs use of photography aboard spacecraft originated during the Mercury Program when John Glenn carried two cameras during his Mercury-Atlas 6 program: 1) a Leica 1g for ultraviolet spectroscopic photos, and 2) a modified Ansco Autoset (which was a rebadged Minolta Hi-Matic by the Ansco Company) which took the first human-shot, color still photos.
Astronaut Wally Schirra had been using a Hasselblad 500c for his personal photography and suggested medium format to the NASA managers in charge of photographic equipment. NASA engineers modified the camera for space removing excess weight, modifying the controls to accommodate space suits, and commissioning a custom back to hold more film. The results were so satisfying that NASA contracted Hasselblad to build kits designed specifically for space missions.Wally Schirra examines the Hasselblad camera alongside Deke Slayton (L), and Gordon Cooper
By the time Apollo 11 made mans maiden voyage to the lunar surface, as depicted in First Man, Hasselblad had been an important part of the space program. Neil...
Hi, my name is Charlie and Im a giant house spider. I share my house with a human macro photographer named Maxim Piessen. My roomie loves to take photos of insects and other small organisms. We have always been on the same wavelength.
Hes been able to capture a lot of insects using his camera. I did the same using my web. He shows people the small things in nature. I I Euhm I just scare people? Apparently, I dont have the best reputation.
With so many people being afraid of me (apparently you humans call them arachnophobes), I thought it was about time to jump from key to key on this laptops keyboard and tell you my side of the story. After an intensive brainstorm session with Maxim, we came to the idea of trying to understand why people fear me so much and to counter-argue these misconceptions.
Thus far, you have already read 2 paragraphs. Reading is boring, isnt it? Even with 8 eyes and reading 4 times as quick as you do, I feel the need for visual imagery. Although I have the privilege to have 7 legsI lost one during one of many adventuresa camera is just a bit too heavy for me AND as you all know, its difficult to take high quality selfies. Luckily, my roomie agreed upon my request to supplement my text with photos.
After Googling Why are people scared of me?, I found an interesting Quora thread titled, Why are people scared of spiders?.
The most viewed and most up-voted answer: Because theyre silently creepy, wall-crawling, web-spinning, abundant egg-laying, hell-spawn creatures on Earth.
I must say, this is a very objective answer full of scientific facts. Lets try to portray this answer in the following photographs:
Spooky, isnt it? This could be the poster of the next blockbuster horror movie. I would almost say Im a (handicapped) hell-spawn creature on Earth. You dont even see the real me. Im silently creepy and my shadow will haunt you in your dreams.
I really love how you can add a negative connotation to the word spider by using creepy descr...
Kodak has announced a new service called the Kodak Digitizing Box. Its designed to help people digitize large collections of old family memories with minimal hassle.
To get started, a customer requests one of four box sizes: 3, 10, 20, and 40 piece boxes.
Each piece can be a film roll, an audio tape, or a set of 25 photos. A wide range of media formats can be converted.
Once the box arrives, the customer places all the old photos and analog memories theyd like converted inside the box.
The pre-paid, pre-addressed box is then shipped back to the service.
After every item in the box is professionally digitized over about 5 to 6 weeks, the customer is then sent DVDs, a USB drive, or digital downloads of the files (along with the original items that were sent).
To give customers peace of mind, the box is tracked at every step of the process and 12 email updates are provided along the way.
Ever wonder where you should be focusing when shooting a landscape? Heres a 9-minute video by Nature TTL featuring renowned photographer and Nikon Ambassador Ross Hoddinott. In it, Hoddinott discusses both focusing and advice for shooting sharper photos.
Hoddinott sheds light on one of the main things to trip up a number of photographers: where do you actually focus in a landscape photo? A rough and ready approach of a third way into the image might seem good enough, but there are other methods to try too.
Hoddinott doesnt rely on the hyperfocal distance calculation either, finding that it leaves the background to drop off and become a little soft. Instead, he relies on a method called double distance focusing. This is where you take the closest point in the foreground, double the distance to it, and focus at your new focal point.
Hoddinott also covers a number of other ways in which you can improve your sharpness in images, with tips ranging from the basic use a tripod, to the more overlooked things like arming yourself with a viewing loupe to properly review images in the field.
Watch the full video above to understand focus point choice and image sharpness properly in landscape photos. You can also subscribe to the Nature TTL for more nature photography tips and tutorials.
The video above was produced by...
As the mirrorless camera wars are heating up, the major players are touting their cameras designs, features, and specs as being superior to what the competition offers. Leica is firing some shots at Sony, the current market leader in the space: Leica claims that Sonys E-mount wasnt designed for full frame cameras.
That claim was made by Stephan Schulz, Leicas head of professional products, in an interview with Red Dot Forum at Photokina 2018.
Schultz was asked about Leicas L-mount and Sonys E-mount. Both mounts first appeared on APS-C sensor cameras the L-mount on the Leica T (Typ 701) in 2014 and the E-mount on Sonys NEX-3/NEX-5 in 2010). Schultz says that the L-mount was designed with full frame in mind.
The L mount was developed in order to have all kind of autofocus optics for full frame with sufficient diameter, he tells Red Dot Forum. And on the other side, in order to realize to compact lenses for APS as well. It was not developed for APS. It was always designed with full frame in mind, even though we came to market with APS first.
Schultz says that Leica was already developing its SL system and its full frame lenses while it launched the Leica T.Leicas L-mount originally appeared on the 2014 Leica T Type 701 (left) before appearing on the 2015 Leica SL Type 601 (right).
On the other hand, Schultz claims that Sony didnt have full frame in mind when it developed the E-mount.
Thats a big difference with the L-mount versus the Sony E-mount, Schultz says in the interview. They started the mount with the NEX, which was APS, but Sony didnt have full frame in mind at that time. So, they had some challenges in making the lenses work for full frame. The Leica L-mount is much bigger which gives us more flexibility....
Oakland Center are you talking to that traffic at our 9 oclock position? We got a yellow light out there and its coming up pretty fast. This unusual radio transmission to Air Traffic Control from a Southwest Airlines jet caught our attention on an otherwise routine flight between New Orleans and San Francisco.
It was the edge of night and we were cruising at 38,000 feet through a sleepy section of airspace above Nevada. The faintest glow of red dusk light remained along the western horizon but the rest of the sky had fallen into darkness.
Better get ready to take a video, I joked to my first officer. Were in the middle of UFO country, right near Area 51, maybe well get
Hey, I think I see it, he cut me off while pointing out our left front window.
A small, but intense, yellow light was streaking up through the desert sky.
The streak of yellow was a good 50 miles away and it appeared to be moving parallel to us but in the opposite direction.
I instinctively reached down to grab my camera. I always keep a Canon DSLR and an assortment of lenses close at hand for moments just like this one. Every airliner has a little cubby hole next to the pilot seats where we formerly stored our chart kits filled maps and company manuals. These days we store all those documents on an iPad and the vacant chart cubby is the perfect place to stash a camera bag.
The moment I pulled out my camera the mysterious, fast-moving light disappeared.
Air Traffic control came over the radio responding to the curious Southwest pilots, Yeah, Southwest they said theres a Falcon 9 launching out of Vandenberg. Thats probably what youre seeing.
And then the yellow streak reappeared, but now it was significantly higher. It was at or above our altitude and accelerating rapidly.
I had no idea how long the rocket would stay visible and my camera was still set up for the street photography I had been doing earlier in New Orleans. The flight deck was too dark to read camera dials without wasting valuable seconds turning on the interior lights. I made a snap decision to just go for a shot, better to try and fail than miss the opportunity while messing with camera settings.
I knew I had left my camera in aperture priority mode, so I cranked hard on the thumb dial to open my lens to f/2.8 while lifting my camera to my eye. Then I set the ISO to 3200 and exposure compensation to -3 EV while composing a photo through the viewfinder. The autofocus struggled to latch onto the tiny light from the distant rocket but it eventually caught and I fired off a few photos.
Those first photos were garbage, all motion blur and camera shake. Auto modes werent going to work. If I was going to get a usabl...
Facebook announced today that it has begun rolling out 3D photos. Viewable both in the News Feed and with virtual reality headsets, 3D photos bring a scene to life by adding the facets of depth and movement.
After capturing a photo using the Portrait mode on a compatible smartphone, you can share that 3D photo on Facebook to allow viewers to scroll, pan, and tilt while looking at it. Its like youre looking through a window, Facebook says.
The technology uses the depth map data stored in Portrait mode photos captured with the iPhone 7+, 8+, X and XS. Theres no mention of support for Googles dual-pixel Portrait mode photos captured with the Pixel line.
Heres a quick video on creating 3D photos for Facebook:
This feature is also less advanced than the 3D world reconstructions teased by Facebook back in May 2018. Theres no word yet regarding if or when well see that available through Facebook.
3D photos are viewable online and in VR starting today, and the ability to create and share them will be rolled out to all users over the coming days.
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